This week on Backtracks, we have a chance to connect with Pakelo Morris, fondly known as Paks, who was a founding member of the band Rootstrata. Paks not only plays the keyboard and guitar but also continues to participate in musical events, occasionally jamming with the Burning West group.
Having dropped out of Marist Brothers Primary School in Class 8, Paks reflects on music being his source of inspiration and resilience. Born on September 19, 1963, to Joseph Ifo Morris from Samoa and Likuone from Tonga, Paks shares his upbringing in Raiwaqa, where he was closely surrounded by the musically-gifted Rabaka family. He fondly reminisces about spending time with the late drummer Mateo Rabaka’s sons, Pita and Ben, and how their musical influences began shaping his early years.
“My father taught me three chords on the guitar, but it was the keyboards that truly captivated me,” Paks recalls, highlighting his admiration for Ms. Anarieta, who played the grand piano beautifully at the St Pius X Parish. He describes how her punctuality and dedication to practice left a lasting impression on him and ultimately led to lessons that fueled his passion.
In the vibrant 1980s music scene, Paks and the Rabaka brothers banded together to form Purple Haze, making their mark at corporate events during a time when live music thrived in Fiji. With instruments provided through the support of parish priests and NGOs like CEPAC, their journey began to blossom. Live performances at places like the Bankers Club were unforgettable, marking a significant point in their musical evolution.
A key influence during Paks’ journey came from his collaborations with the late George Brooks Veikoso, also known as Poji or Fiji, who notably wished to reunite former members of Rootstrata for a homecoming event. Paks recalls moments shared over lovo meals, reminiscing about their past and the challenges they faced. He poignantly remembers their last encounter at Poji’s birthday bash, where they rekindled old friendships and shared plans for a future performance, a goal that stayed close to Poji’s heart until his passing.
Looking ahead, Paks expresses a sense of optimism about the current musical landscape, acknowledging the widespread access to technology that allows music to thrive beyond traditional settings. “Music remains vibrant in Raiwaqa,” he asserts, viewing his ongoing journey as a testament to the power of connection through melodies.
Paks’ story encapsulates not just a personal musical journey but also illustrates the rich tapestry of collaboration and mentorship that exists in the Fijian music scene. As local artists work to gain global recognition, Paks stands as a beacon of hope, inspiring the next generation to carry forward the rich musical heritage of Fiji.
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