Indian author and motivational speaker Mayur Kalbag has announced that his upcoming book, the third part of his spiritual fiction series “Aghori,” is being significantly influenced by his experiences in Fiji. During a recent visit to the country, Kalbag noted that the natural beauty and cultural richness of Fiji have inspired the creative direction of “Aghori Part Three,” currently under development.
Kalbag’s previous installments, “Aghori: An Untold Story” and “Aghori 2: The Untold Story Continues,” narrate the journey of Subbu, a seeker chosen by his guru to journey to the Himalayas and gain knowledge from the Aghori sadhus, known for their intense spiritual practices. Throughout his travels, Subbu endures rigorous training and meditation and ultimately embodies three powerful mantras.
In the sequel, Subbu returns transformed but confronts new trials as he attempts to extract and transfer the mantras he has internalized. His adventures introduce mystical beings, including a giant serpent (Naga) and a telepathic starfish, representing the ongoing struggle between spiritual enlightenment and malevolent forces.
Kalbag expressed enthusiasm about how Fiji’s natural landscape has sparked his creativity. He shared specific locations such as the floating islands in Labasa and a mountain temple akin to Kailash, noted for their spiritual energy. Local legends, including tales connecting Fiji to the Indian myth of Kaliya Nag, have also captivated him.
The author described Fiji’s natural environment as a profound source of inspiration, saying, “Traveling along the King’s Road or by the Rewa River, the mountains and the ocean invigorate me to write.” He further elaborated on the spiritual essence he perceives in nature, stating, “Here, spirituality transcends geography; it permeates the surroundings.”
Kalbag has previously incorporated oceanic elements into his works, particularly through the character of a sentient starfish, exploring the theme of universal intelligence. He remarked, “We often believe intelligence is exclusive to humans, but it manifests in all forms of energy, including sea creatures.”
The forthcoming “Aghori Part Three” will be a component of a larger series Kalbag aims to expand to seven installments. He hinted at a future storyline where Subbu and his spiritual mentor may venture to Vanua Levu, integrating mythological elements from India with the spiritual essence of Fiji. He articulated, “Although India is distant geographically, spiritually it feels quite proximate. The spiritual connection in Fiji is very robust.”
Kalbag’s dedication to weaving these experiences into his narrative illustrates a blend of cultures and ideas, reinforcing the potential for literary exploration to connect diverse traditions and histories. As he continues to work on this book, his journey serves not only as a means to share stories but also as an invitation for readers to appreciate the intricacies of spiritual evolution across different landscapes.
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