American visual artist and film director Andy Warhol once stated, “the best thing about a picture is that it never changes, even when the people in it do.” This sentiment resonates deeply, especially in places like Fiji, where family photographs often play a significant role in preserving memories.
Walking into a typical Fijian home, visitors are likely to encounter framed photographs or cherished images in albums, most of which may have been taken in local photo studios characterized by floral or tropical backdrops. Nostalgia is particularly strong for those who grew up in the ’90s and early 2000s, as many fondly recall having their photos taken with friends after school activities.
The distinction between a “picture” and a “photo” is often blurred. While a picture can represent any scene on a flat surface, a photo specifically refers to an image printed on paper. For many, the tactile pleasure of holding a physical photograph far exceeds the experience of viewing an image on a screen.
Fiji’s photographic history has been significantly shaped by Caines Jannif, a business with roots dating back to 1902. Originally established as the Le Faivre Photographic Studio in Suva, the studio has provided professional photography and framing services for over a century, making it Suva’s longest-running retailer. The studio became synonymous with iconic Fiji postcards and historical imagery from colonial times.
Frederick William Caine, who took over the studio in 1904, established a legacy that was later carried on by a team that included notable figures such as N A Khan and his nephews, Hannif Akbar and Ben Mohammed Jannif. The brothers started their journey with modest beginnings but eventually became partners, with Ben Jannif eventually taking ownership in the 1950s and expanding the business significantly.
Throughout its history, Caines Jannif has adapted to changes in technology and consumer habits, transitioning from traditional photography to include retail and various photographic services. The company’s history reflects broader changes in both media and technology, navigating the transition from print to digital.
Sadly, after more than 120 years of exceptional service to the community, Caines Jannif recently announced its closure. Despite this loss, the studio’s legacy in capturing and preserving Fiji’s history remains significant, with many of its historic photos still accessible to the public.
Reflecting on the end of an era, there is hope that the spirit of Caines Jannif will continue to inspire future generations of photographers and artists in Fiji. As technology continues to evolve, the importance of documenting and preserving memories through photography remains timeless.
In summary, while Caines Jannif may have closed its doors, its rich legacy continues to impact the art of photography in Fiji, inspiring a new generation to capture and cherish moments that will endure beyond time.
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