A theatrical production titled Butakoci has recently emerged as a creative means to raise awareness about the pressing issue of human trafficking, which affects many nations globally. This innovative play incorporates song, dance, and narrative elements to engage audiences on this critical topic.
The initiative was supported by the Fiji Government, USAID, and The Asia Foundation. The lead consultant for Butakoci, Talei Draunibaka, discussed the vision behind the project. With over 24 years of experience in the arts, Talei, along with fellow artists Savuto Vakadewavosa and Kathleen Waqa, contributed their talents to compose the songs featured in the production.
Talei noted that this stage performance serves as an essential platform for discussions around human trafficking, an issue that impacts youth and communities today. Butakoci specifically addresses contemporary human trafficking while reflecting on its historical roots, including Fiji’s indentured labor and blackbirding practices.
Through the arts, the production aims to convey the message that human trafficking is not a new phenomenon in Fiji, having persisted for over a century. Talei emphasized the significance of using art as a medium to confront such weighty subjects, calling for societal acknowledgment and dialogue to drive change.
She expressed pride in the arts sector for taking on the responsibility of raising awareness about human trafficking, stating the necessity of discussing these issues publicly to break the cycle of silence and promote understanding.
Talei extended her gratitude to the Asia Foundation and USAID for their support, highlighting the project’s emphasis on storytelling within the culture. Her research involved interviews with people who have experienced trafficking or are descendants of victims, informing her script for the play.
The characters in Butakoci, while fictional, draw from real-life events. Talei highlighted the emotional challenge of writing songs about such a serious topic, requiring her to adopt the perspective of victims to authentically capture their experiences.
The production features four original songs, alongside a traditional folk song, showcasing the collaborative effort of a talented artistic team, including Phil Dakei, Kathleen Waqa, Savuto Vakadewavosa, Nemani Vanua, and Viveka Nand. The University of the South Pacific, Shobna Chanel, and Mata dance groups also contributed to the performance.
Reflecting on her previous work that explored Fijian songs, Talei noted this experience deepened her appreciation for storytelling. She hopes Butakoci will foster dialogue around human trafficking and generate meaningful change within the community.
Talei aims to bridge gaps through this production, expressing a desire to leave a positive impact as an artist. She acknowledged the challenges involved in creatively addressing serious issues but affirmed the importance of focusing on the cause to drive her work forward.